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| Interview with Costume Designer |
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Nim Sood
with sister Shobhaa Kapoor (right) |
"There's
no place better than Balaji"
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| Posted on 9 September 2003 |
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Some
call her Mrs Sood, some call her Masiji, while some call her just
Masi. She is quite surprised when I call her up for a chat. For
a second or two, she tries to dodge her way out by insisting that
she has just been doing her work. I persist. I tell her that her
work cannot be discounted from the factors that have made Ekta Kapoor
what she is today. She laughs, "You win. Now, shoot."
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How did you start designing for Balaji Telefilms?
It's a long story. I was working for an airline. I left that job
when I got married. Thereafter, Shobha (Ekta's mom) and I opened
a shop called Private Collection at Juhu. It was doing very well,
but after the '93 riots, business was a bit slack. During those
times, Balaji Telefilms was being set up. Shobha informed me that
she was going into TV software. She suggested that I join her. I
designed clothes for Balaji Telefilms from its first serial itself.
It was titled Itihaas. Incidentally, the concept of that
serial too, was mine.
Firstly,
I am told about the character of the artiste. The second step is
to meet the artiste. At times, I feel that the artiste will not
be able to carry off the make-up and the look that he/she is required
to don. Then, I tell Ekta about it. If Ekta insists on the grounds
that the artiste is a very good performer, my task becomes extra
difficult from there on; I have to use a lot of trial-n-error strategy
on him/her. The third step is to take the artiste out for shopping,
give them the required kind of clothes and start grooming them upon
the required body language. And hey, how am I forgetting the haircut!
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How do you decide what's precisely required for a particular artiste/character?
As a child, I always designed my own clothes. I bought the fabric
I liked. I never wore something that I did not like. I even went
to the tailor of my choice. I sported the hairstyle which I felt
most comfy in. I was very sure of what I wanted to wear and how
I wanted to look. Importantly, I was sure of what would suit me
and what would not. That's it! It's an intrinsic quality, I guess
(laughs).
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What is considered more important- the outfit and the look, or the
artiste's comfort?
It
is rare that an artiste is uncomfortable in what I give him/her.
Remember, he/she has mostly accompanied me in the shopping. During
that course, we converse in detail. Say if a girl is averse to exposing,
I have the ability to strike such a good and instant rapport that
she will not hesitate to tell me about her inhibitions. Still if
it happens and I can see it, of course, she is given an option.
The artiste's comfort has to be considered first. If he/she is uncomfortable,
he/she will never deliver a hundred per cent performance.
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Tell me something about bindis and jewellery.
Actually,
I travel almost the whole day. One moment, I am at this shop, the
next moment I am at another. At the risk of sounding boastful, may
I say that I have good taste for jewellery too. By bindis, I am
sure that you are referring to Ramola's bindis. I won't take away
the credit from her. She selects her own bindis in accordance to
the sarees and jewellery given by me. She has impeccable choice.
Even otherwise, she dresses up very well.
Let me tell you that the law of fashion says, "Those who dress
well in day-to-day life can carry off any fashion well." Few
actors resist what I give them, and even that resistance soon gives
way to acceptance. This is simply because they know that they are
most likely to become trendsetters with what I give them. I am not
boasting, but nowadays, many people meet me on the roads and recognize
me. At shops, people blindly follow me. Whenever I go to shops,
customers start breathing down my neck, just to check what exactly
I am buying so that they can buy the very same. I remember that
I started with patialas in a Punjabi serial titled Karvachauth,
and patialas became a craze. I started with lehriyas, and lehriyas
became a craze. Would you believe if I tell you that I have four
negative looks ready - lock, stock and barrel?
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I do, but tell me, is the negative look more difficult to work on?
After so many years, nothing is difficult for me. But yes, there's
a lot in a negative character you can play around with. The negative
character has to create an eerie impact, or say, an emotion of hatred,
when he/she is portrayed. For that, he/she needs to stand out in
a crowd.
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Did
you realise that television would make you so famous?
Honestly, no. But today, you'll have to live my life to experience
the thrill I am getting. Do you know sarees have started selling
under the brand names of Ramola, Komollika and Kkusum? Someone is
even planning to set up a store and sell Nirmala Sood Collections.
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How
do you keep up with the times?
I read a lot. I buy lots of books and magazines on fashion.
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How
do you manage so many Balaji serials at the same time?
Only those who don't enjoy their work complain that they have been
entrusted with more than they can carry. I am managing the outstation
serials too. I have only one assistant, who was appointed only six
months earlier.
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Future
plans?
Balaji, Balaji, Balaji. At a later date, I might open a boutique
again. I would love to have a chain of boutiques in India.
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Never
had any offers from other production houses to join them?
Oh, lots. But I will never leave Balaji. There's no place better
than this.
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